Showing posts with label nobile 1942. Show all posts
Showing posts with label nobile 1942. Show all posts

Monday, 9 March 2015

Monday, 19 May 2014

Springtime in Paris

This spring, time is flying by even quicker than usual. While it definitely feels like it  was just last week that we were visiting Paris, since then we had: celebrated Easter, a visit from the mother in law, a week in Germany, lots of gardening, a countrywalk, the first BBQ of the year and and and.. What I hadn't done so far is writing a post about the trip, so here it is, short and with quite some delay.


Not a bad view to have...



On our first day we headed to

Tiny and design conscious shop, functional, lots of clean white lines doused in pink light. 
You can browse on your own and/or with assistance from the lovely SA. Unsurprisingly they have the whole range and M. and I did a lot of sniffing together. He bought his second Incense series bottle, this time the Zagorsk, and I came home with a Stephen Jones, which hadn't been on the card/list at all, but  felt right at the moment. The fragrance was a great companion for Paris in spring. Green and floral with hint of pollution. M. wears his Zagorsk often and with real gusto. Other than the Avignon which is more of a special occasion scent, this one "makes him feel properly dressed, whatever he is wearing".


French pharmacy window display


We also had a quick look at:
 
This mallish perfume shop, tucked away in a little side street at the South end of the Marais, has a good selection  including Laboratorio Olfattivo, Amouage, van Euersdorff, David Jorquin, Etat libre, MDCI, Phaedon, Jul&Mad, Kilian, Mark Buxton...
Had I been on my own I could have spent a nice hour in there, but my husbands' love for perfume only goes that far so I sniffed around a bit and promised myself to come back on a later date. Which I then didn't, so this lovely shop has to wait for another Paris visit.


Coffee table



Monday was the day of undisturbed perfume testing, and for this there is no place better in Paris than 

Deep in tourist wonderland that is the Louvre area, this shop is easiest my favourite place in Paris. All the perfumes, comfy sofas, coffee, lovely service, lots of space...if they had free wifi I would probably never leave. This time the shop was very quiet and I got all the help  I wanted. If you want to try the fragrances on your own they won't bother you at all, but you'll get very honest assistance. I had come with a list of things to try, mostly lines that are difficult to find in the UK, like nobile 1942, Mendittorosa and 2 houses new to Jovoy: Volnay and Parfumerie Moderne. 



I had high hopes for Parfumerie Moderne, despite the unimaginative name, but none of the three perfumes left a very lasting impression on me. Cuir X was nice enough, but felt like a mix between Mon Cuir and Cuir Ottoman and I would rate both of those higher. Volnay, on the other hand, had 5 scents on offer in very beautiful cristalle bottles. Yapana, a floriental and Objet Celeste, a chypre, were my favourites and one of them will certainly feature in a review very soon. I also spend lots of time with the nobile 1942 scents and you've already seen my love for that line. On the list was also a Heeley, not exactly difficult to get in London, but while in Paris...It was the L'Amandiere that had caught my attention for it's green almond notes. And worthy of attention it definitely was. On paper quite a head spinner, the almonds are really captured in their green skin phase with just a promise of a sweetness yet to come. Of all the perfumes I had tried, this was the one I wanted to work for me the most and it therefore got a lot of my skin space. The lovely SA offered a sample without me even asking and I have to say, I'm really grateful for that because I had been in spending mood and would have probably made a purchase there and then. Thankfully I didn't. L'Amandiere, despite being an extrait, had the life span of a geriatric gnat on me. Gone in half an hour. 

Jovoy are again doing the 5x5ml sample box which had been such a succsess at the end of last year. This time the selection (available only online) is much smaller, mostly newcomer lines and the decently priced ones like Histoire and Pd'Empire, but it's still a good idea to have a look. Unfortunately their website is a bit wonky and the link they provide doesn't work. It's easier if you do a search for black box on the site. The decants are €6 per 5ml splash bottle plus shipping (free inside France, handy if you have mules or going there for the summer holiday). There is also a so called red box, reserved for more expensive frags but that selection isn't great and at €12 rather overpriced, I find. Why they not just do 1 type of box with different prices per bottle is beyond me...


During my 5 day visit I also managed to go to Colette, De Filles a la Vanille, Marionnaud, Sephora and last but not least, Serge Lutens,  did lots of not perfume related things, ate and drank (mostly) well and had a great time. As one has when in Paris. 



















Friday, 2 May 2014

Cafe Chantant, black forest gateau in a bottle

Italian perfume house nobile 1942 is on it's way to becoming a new favourite of mine. I have already written about the Chypre and since then I have sampled a few more scents and they all had something about them. There is the elegant Pontevecchio, the alluring Casta Diva, the totally bonkers but beautiful Danza delle Libellule (have a look at the fab review from the Black Narcissus blog) and my latest find: The delicious Cafe Chantant. 

My visual interpretation of Cafe Chantant by nobile 1942

It opens with a boozy cherry note that reminds me of good, home made, black forest gateau. Chocolate sponge drenched in Kirsch, sour cherries and a ton of cream. Yum! I'd have that any day of the week if you'd let me, but even double hour Pilates and kettlebells sessions wouldn't prevent those cakes from going straight to the hips. So, thank you nobile for creating a perfume that I can have instead. The initial booze note disappears, as you'd expect, quite quickly and the cherries dry down to a wonderful creamy vanilla patchouli. Surprisingly, it's a skin scent on me, which adds to the overall guilty pleasures feel. It's a scent I love to have around me for emergency sniffs that instantly help me feel better about the world and it also makes for an excellent night fragrance. This is not for everyone, but it makes me insanely happy. 

How and where to wear:
For one of those days...


Wednesday, 26 March 2014

What's in a name? Chypre by Nobile 1942

There are probably 12345 perfumes out there which I could potentially fall in love with, but time, availability, Royal Mail postal restriction nonsense and money are issues that regulate the amount of scents I can possibly try. Never mind review. But it's difficult to resist ordering this set and those samples,  and in the end it's inevitable that I sometimes  lose track of what's hiding in my little Poundshop drawers. My organising system is simple enough though: 

 A  to  Z




Some letters seem to attract far more little vials than others, F and G for example, are not very popular, but exploring the Hows and Whys of that is something that I leave for another post. A to Z is easy but not very helpful if you just want to try something floral/woody or hesperidy/green and have forgotten the main notes for the better half of your sample collection. So it's really handy when a perfume house is helpful and names things in a simple, matter of factly way. Like  C is for Chypre. In the second drawer from the top, labelled B and C with these slightly tacky, red glitter letter stickers from yet another Poundshop. I was in the mood for a chypre and it couldn't have been easier. Chypre by Nobile 1942 it was...


My visual interpretation of Chypre by nobile 1942




As far as I know the Italian perfume house Nobile 1942 isn't in the business of giving deliberately misleading names to their creations in the way that LeLabo do, but is this really a chypre?
Yes, it has a fresh bergamot and mandarin/orange opening, but on my skin there is very early on a pinkish bright bubblegum note that makes me smile and reminds me of the effect that Tuberose No.1 had on me. Just the right amount of that difficult note, not too overpowering, just coming to say Hello a few times during the earlier dry down. Love it! I know my skin has the tendency to wolf down the citrussy notes and whatever sweetness a perfume might possess often becomes weirdly exaggerated, but this perfume is still a bit of a surprise. A very nice one though. It's classy, just a tiny bit old school, but incredibly wearable. After about 2 hours it does get a bit closer to a traditional  chypre with the neat hovering between a fresh green and a bed of flowers, mostly roses with a patchouly hint. I would call this phase floral chypre.  It transcends into a comforting vanilla wood after a long day of wearing and I still got a whiff from time to time when I was laying in bed. Projection is not all that great, considering. M. declared it a skin scent verging on the masculine, but I strongly disagree. Yes, it does stay close to skin, but there is no doubt about it's gender. For me Chypre is a very feminine perfume. It covers the sensual and the imaginary in equal terms, but it always stays on the double x- chromosone side of things. For my visual interpretation I wanted to capture it's radiating warmth and "earthyness", no hard lines but not too ethereal. The right balance of colours  was the easy bit but to find the overall texture of the visual turned out to be really difficult. I struggled all day with it, trying out lots of things and I was close to leave it, at least for a while, when I found a solution that is close enough to my idea of the scent to publish it, but may be I will change it again in future.

And in the end I don't care what the name of this beautiful scent suggests, but I do want to know a bit more about it's story. It's dedicated to iconic Italian actress Anna Magnani. Award winning figure head of Italian Neo-Realism, unusual beauty, strong minded she was a woman of considerable strength and charisma, never mind talent. I can't possibly  know if the perfume would have suited her, but the image I have of her totally suits the perfume. She is a wonderful example of a passionate and confident woman who doesn't give a damn, whose laughter is smokey and a bit dirty and who does what she wants without any false pretence. Inspirations for perfumes don't come much better than that and while I thought for a while that calling it after her would have been a good idea, I'm not so sure anymore now, because after all: What's in a name anyway?

Have a look at this video showing Anna Magnani in Pier Paolo Pasolini's film 
Mamma Roma from 1962. 



How and where to wear it:

Inspired by the video, no doubt, I'd say: Late summer evening with friends and family, lots of wine, lots of laughter, lots of home made hearty food, at ease with yourself and the world