I think I mentioned in one of my last posts that I am not looking for refreshment in a perfume, and while that is still the case, I have to agree that a spritz of a well made cologne can be a bit nice indeed. There are a few new and lots of good old candidates on the market, from the cheap and cheerful to the eye-wateringly expensive, but I personally don't see the point in paying a huge amount of money for something that is just a short little pleasure and has to be used in abundance to make an impact.
Tauer perfumes Cologne du Maghreb is sort of in the middle ground, price wise, and I when I was offered a sample I was very grateful for the opportunity to test it. Andy Tauer created this cologne from all natural ingredients because he believed it didn't need anything else. The result is very much the equivalent of proper home made lemonade: Made of 3 ingredients and a thousand times better than anything you can buy in the supermarket.
It opens with a wonderful citrus note, not too bitter, not too sweet, not too green, just right and bright and gradually warming on the skin into a more golden orange. There is a hint of what I would clumsily describe as 'dust' which I find unusual and pleasant. Around an hour into wearing a touch of warm, dry wood adds the composition which then stays in a kind of hovering layer just above the skin....and then it's gone. On me, that is. A lot of bloggers describe their ride differently, expressing great surprise at CdM's longevity. I envy them, because I would very much like it to last longer on me. In all fairness, colognes often require a repeat. And therein lies a certain pleasure. It was the idea of repeating the opening again, and again, and again that finally gave me the inspiration for the visual of Cologne du Maghreb.
Seamless geometric repeat patterns, or Tessellations, are a whole world of wonder. If you've ever looked intensely at intricate patterns and complicated ornaments your eyes got probably lost following the meanderings of eternal ribbons, laces, triangles and interwoven colours. The system behind them is pure geometry and surprisingly easy. (ish) It all starts with a primary cell, the smallest particle of a pattern. This can be a square, a triangle, or, if you are M.C. Escher, pretty much anything.
The next step is creating a repeatable tile, I used the 4 cells in a pinwheel rotation to form this particular, square tile. Had I chosen a different symmetry, the end result would look very different. In fact, you can create up to 24 different patterns from just 1 primary cell depending how you turn or mirror it.
Now you can repeat the tile endlessly and you have simple lace pattern.
For the visualisation of Cologne du Maghreb I chose not to just recreate a vaguely Moroccan inspired pattern, but to capture this rhythm of reapplying CdM by breaking the absolute symmetry of the pattern. You won't be doing a repeat spritz at equally timed intervals, so what will happen on the skin is an overlap of layers at different stages of the scent. The effect can turn a simple structure, may it be olfactory or visual, into a surprisingly complex experience. I certainly enjoyed mine.
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My interpretation of Cologne du Maghreb by Andy Tauer
How and where to wear:
A good travel companion, this one. Take it with you when you know that the journey will be long but rewarding. |
